Interestingly, Ray Charles, as we all know, went onto become one of the most significant recording artists of the 20th century, while David Helfgott, while he still tours worldwide, probably would have lived out his days quietly with his wife, having flown under the radar of most Australians. I believe this point is significant. Australians love(d) this film even though they had probably never heard of Helfgott. He is the un-sung hero, a character who didn't get too successful (I'm referring here to the all too common 'tall poppy' syndrome), a construction that Australians love to identify with. They leave the cinema feeling great, they have seen Helfgott suffer with adversity and triumph, but not too much. (Of course, Scott Hicks, can only create a film in accordance with Helfgott's life, he couldn't fictionalise him becoming one of the world's most recognisable stars; what I'm suggesting is that Helfgott's story resonates because that outcome didn't eventuate).
Anyway. just some thoughts.
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